Streaming with closed captions

If every image has a frame, then there's a truth that exists outside of it. Theo Anthony's illuminating Sundance Jury Award winner is a mind-expanding feature that implores the viewer to reconsider the image, surveillance and technology—and most importantly, the power these tools can have over undervalued and unassuming communities. While tracing our historical relationship with the image as weapon, Anthony also takes us on a guided tour through the facilities of Axon, the company that supplies body cameras to more than half the police departments in the United States, and inside the Baltimore police department, who are being trained to use those very cameras, brilliantly juxtaposing the motives and shortcomings of photographic innovation. All Light, Everywhere reminds us that along with the human eye, the technological one has blind spots and limitations, too. It questions whether technological advancement and in particular the body camera and bird's-eye surveillance correlate with truth when justice has always been synonymous with blindness. Ravi Srinivasan

Special Presentations program sponsored by

All Light, Everywhere and its Q&A are presented with support from the U.S. Consulate General of Toronto